Apple TV
Idents for Channel 4

Supersonic R & Jasper Plum for Dyson
Idents for Cancer Research UK & Channel 4
Odyssey for Telstra
Call to the Wild for Apple

Patience for Byborre
Ignis
Pi8 & Pi6 for Bowers & Wilkins
Brand Reset for Aveda
Vision Pro Reveal for Apple

Idents for The Clove Club

Phantom GX 2 Elite for NIKE
Del Core Collection 1
Louis Vuitton 200

Morris

The Cliff

Mutate
Plénitude II for Dom Perignon

Guinness Goodness for Guinness

Diatoms
Babel

Eggs
Bring Magic to the Table for Coca-Cola
Never Ordinary Campaign for Made

Odyssey

Fork

Playground

Toccata

Order in Space

Fugue

Aerial
Utopia

Immaterial Objects for London Design Festival 2024
Information
Tension

Relief

Surface

Inner Child for Ressence
Extrusion

Exo

Playground Installation for London Design Festival 2023

Broken Dreams Broken Machines for Max Cooper

Stream of Thought for Max Cooper

Immersed in the Forest for Zara

Refuge
Babel / 25fps / Prores442HQ
This film tells the story of the Tower of Babel, taking inspiration from one of the few depictions of the tower formed by Italian artist, Antonio Basoli. Basoli developed a series of prints depicting fictional architectural designs - Alfabeto Pittorico. He chose the tower of Babel as his letter B. This film brings his intricate depiction to life.
The tale of the Tower of Babel evolved as an explanation for the origin of different languages. As the story goes, the tower of Babel was an attempt by Babylonians to build the tallest tower to-date in order to reach heaven. For this endeavour, they were punished by God. Different languages were introduced, making them unable to communicate and a powerful storm destroyed the tower.
In our film, the narrative is divided into three acts, each one exploring a different stage in the story: the building of the tower, its destruction and the landscape left behind. It follows the tower from a single point of view, through a 360 degree camera move. We used a grainy print-like texture and monochromatic shading in the sky to create a darkness and drama within the events that unfold - inspired by Basoli’s print.





The observational viewpoint chosen, allows the viewer to zoom into the many details within the scene. Over 100 layers were combined to convey the richness of the story and magnitude of the event. The dynamism of the film was created using a time-lapse effect allowing us to depict years of progress in minutes of film.
Creative Direction & Production: Optical Arts
Concept: Dan Tobin Smith
Director & Supervisor: Fabrice Le Nezet
Producer: Hannah May
3D Artists: Nicolas Damour, Flora Macleod & Izaak Pardey
Sound Design: String and Tins